Using a Coping Saw to Fit a Timber Cornice
Coping Saws
A coping saw is cheap and they are brilliant little tools. Cheap to buy and cheap to run. They have fine teeth,
typically 15 per inch, and can be used to cut timber and plastic. No sharpening required,
just buy a packet of blades and you are right for ages.
They are the only tool for many jobs. They are capable of very fine work and for what I am talking
about on this page, which is cutting the joints for a timber cornice, they have not yet been replaced
by a power tool.
Just a quick point. When you get your coping saw with a blade already fixed, it could be set in the frame
either way, to cut on the pull stroke or the push stroke. I have always set the saw blade so that the
teeth cut on the pull stroke. That is, the teeth point towards the handle. The blades are very thin and
cutting on the pull stroke saves them from breaking easily.
The coping saw blade hooks onto a rotating spigot at each end of the frame. These spigots allow the blade to be
angled to suit the cut you want to make. For example you can drill a hole in a piece of timber (
or plastic etc.) and then fit your blade through the hole and enlarge it to whatever shape by rotating
the blade.
If I had to fit a lot of timber cornice similar or larger than the one pictured below, especially if
it was hardwood and going to be clear finished (heaven forbid, I'd probably cry off and claim my knees
are not up to the ladder work any more). I would have a really sharp gouge and chisel handy to trim up
any inaccuracies. For ordinary paint finish work using softwood, off the saw is usually OK.
(Plus of course a bit of the old carpenter's helper, which used to be putty, but is now a caulking gun
of acrylic gap filler :-).
I belong to a woodworking forum and the other day a guy asked a question about scribing the joints on
timber cornice.
A guy who goes under the user name of Rat52, who was a sub contact carpenter for many years and is now a
construction foreman on commercial sites, answered a question about cutting scribes in a timber cornice
with a series of posts and an excellent set of photos.
Rat52 has given me his kind permission to use them here. Thanks mate!
Here is a photo showing two different sections, one a quad, (quarter round) and the other is a cornice
that is about 40mm. The pieces on the right have square ends and the pieces on the left have the first
stage of the scribe joint, an ordinary 45 deg. miter cut. |
The two pieces of timber to the right have been left untouched, still with the square ends, but
the pieces on the left have had scribing cuts done along the line of the miter with a coping saw
to make the scribed shape. |
Here we see Rat52 cutting the actual scribe. Notice that he is not cutting square to the surface, but he
is putting a definite undercut to the joint. The angle of the coping saw blade shows he is cutting out
more material than is strictly needed. This way the front of the joint makes contact first and
is never held open by the back contacting first. That is, to make sure that you are not getting out of square the wrong way
you make a definite undercut. It doesn't matter that the back of the joint is open because it is not seen. |
So this is a close up of the two cut ends. It is fairly usual to cut cornice like this on the job, with
a saw stool. Holding the saw with one hand and the material with the other.
For longer heavier stuff you might be tempted to use some sort of vice or clamp, in which case I sometimes
grip the coping saw with both hands on the handle. I usually seem to manage
with either a knee or a foot to hold longer lengths steady.
Look closely at the cornice bit and you will see that Rat52 has cut a very thin slice of material at the start of his
coping saw cut, to in effect, on the finished joint make it look like the joint has been mitred.
I have never bothered doing it this way, I just dive into the cut square off and then undercut the rest of the curve.
I can see though that it is a good idea in terms of the joint always looking perfect, even if it is a
touch short from shrinkage (or mismanagement:-). |
The original poster to the forum, was having difficulties with his miters, never mind the scribing
with the coping saw, because he was laying the material down on the saw bed like this.
Doing it this way requires a compound mitre cut. This is the way that some people in the US recommend
that crown moulds should be cut. A quick Google for "crown mould" will reveal heaps of sites telling
you how to do this. Many that give complicated descriptions and formulas down to fractions of a degree. |
This is the way a small section should be put in relation to the chop saw.
Imagine, it is
just as though the fence of the saw is the wall and the bed of the saw is the ceiling. |
Here is the cornice held up in the final position, ready to be fixed. |
If I didn't have a power mitre saw handy, or if the particular section I had was just to
big to cut with the one I had got, I would make up one of these homemade mitre boxes.
Just remember to cut the actual saw guide cuts with the same fine toothed sharp panel saw that you will
be cutting the actual cornice with. |
If I only had a few cuts of something odd sized to cut, like a large crown mold, or a tall skirting
board, I would make a home made miter box that fits the profile closely, to get repeatable cuts
all the time.
With a crown mold like here on the power saw I would arrange a batten
fixed to the saw bed at the correct distance from the fence, to keep the molding in the right
alignment. A tiny difference gets worse in the finished joint. |
Leave this coping saw page and go back to trim carpenty.